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This entry is part 4 of 5 in the series History of Science Fiction

This was a decade dominated by war. The First World War erupted in 1914 and ended in 1918. In the midst of this and other conflicts the Russian Revolution occurred. Inevitably all of this turmoil affected the works produced during this period.

Scientific advances continued however with an increased interest in electronics. One significant breakthrough was Albert Einstein’s General Theory of Relativity which leads to speculation on time-travel and anti-gravity. Another major advance that would shake the world was Ernest Rutherford’s discovery of the atomic nucleus.

Edgar Rice Burroughs

Cover art from A Princess of Mars by Edgar Ric...Image via Wikipedia
Perhaps the single most important writer in this period is Edgar Rice Burroughs. Best known to the public at large for his creation of Tarzan (Tarzan of the Apes 1912). His first published story though was A Princess of Mars in 1912 which introduced the world of Barsoom (or Mars) and solidified the “Sword and Planet” genre. This genre has largely died out now (faring poorly against modern scientific understanding) but it was a staple of the pulps for many years.

Originally published in All-Story Magazine with the title “Under the Moons of Mars” and credited to Normal Bean, the story introduces us to John Carter and Dejah Thoris Princess of Helium. It was re-published as A Princess of Mars in 1917.

Much of Burroughs’ work was published in All-Story Magazine. 1913’s The Gods of Mars was a sequel to A Princess of Mars. In 1914 we were introduced to the subterainian world of Pellucidar in At the Earth’s Core (again published by All-Story Magazine). At the Earth’s Core and its sequel Pellucidar (1915) gave us a hollow earth which was lit by a miniature sun and populated by both savage tribes and fantastic creatures.


It would be another two decades before the pulp magazines really hit their peak, but even at this early stage an increasing amount of science fiction was being published.

Hugo Gernsback is a pioneer of the genre and his connection with it begins in 1911 when he published Ralph 124C41+: A Romance of the Year 2660 in his own magazine Modern Electrics. The story managed to predict amonst other things radar, tape recorders and television. Two years later Gernsback started a series of science based comic stories called The Scientific Adventures of Baron Munchausen. While remarkably in it’s speculation it is not generally considered a good book, lacking much in the way of plot or character.

Cavalier magazine was another source of early science fiction. Garrett P. Serviss’ The Second Deluge was published in 1911 and offers a retelling of Noah with a flood from outer space. George Allen England’s serials Darkness and Dawn, Beyond the Great Oblivion and The Afterglow were published there between 1912 and 1913. In 1914 Cavalier merged into All-Story Magazine under Robert H. Davis and continued to feature science fiction stories including Charles B. Stilson’s Polaris of the Snows trilogy, Abraham Merritt’s Through the Dragon Glass, The People of the Pit, The Moon Pool and Murray Leinster’s The Runaway Skyscraper.

The first true science fiction magazine though might be the Swedish magazine Hugin which was first published in 1916 under editor Otto Witt.

Also worthy of note is Children of Kultur by Milo Hastings which was published in True Story magazine. Later re-issued as City of Endless Night, it has been claimed that this was the inspiration for Fritz Lang’s Metropolis.

Science Fiction Films

Science fiction movies really began to blossom in this decade. In 1910 Frankenstein was adapted to the silver screen for the first time by Thomas Edison’s studios, directed by J. Searle Dawley.

1916s Homunculus was the most popular serial in Germany during World War I. This six part silent movie was about a scientist who creates a “perfect” creature which seeks revenge on humanity when it discovers it has no soul. Perhaps of particular interest is the fact that Fritz Lang was an assistant working on this movie.

Another 1916 movie was 20,000 Leagues Under the Sea by Universal Studios which featured some impressive underwater footage shot in a watertank. This was actually the second movie adaptation, Georges Méliès having released a version in 1907.

Denmark’s Himmelskibet (”The Airship” ) which was released in 1918 with a plot about the daughter of the High Priest of Mars ending planetary war.

HG Wells science fiction story The First Men in the Moon was adapted in 1919 by Bruce Gordon and J.L.V. Leigh.

Finally although it’s actually a fantasy movie, 1919s Die Spinnen (The Spiders) is worth a quick mention if only because it was directed by Fritz Lang.


More and more writers started to tackle science fiction subject matter (at this point still not called science fiction). In 1911, F. W. Mader published Wunderwelten (Distant Worlds) which is reputed to featured the first example of faster than light spaceship travel in fiction.

William Hope Hodgson gave us another example of apocalyptic science fiction (a sub-genre that seems destined to last forever) with The Night Land in which the last humans are holed up in a seven mile tall pyramid, attacked by mutants and monsters on a future earth where the sun has gone out.

One popular occupation for writers then, just as now, was to try and predict future technology based on current developments. Bernhard Kellerman’s Der Tunnel in 1913 was one of the best selling novels of the first half of the 20th century. It’s protagonist wanted to build a tunnel from Europe to America but the novel also predicts airplanes being able to make the trip faster.

In 1915 (after the start of World War One) Guy Thorne predicted armored tanks a couple of years before they first appeared in his novel The Cruiser on Wheels. While in 1920 the world was finally introduced to robots (or at least the word) with Karel Capek’s R.U.R.

Of course writers were also tackling the social issues of the time. Charlotte Perkins Gilman’s 1915 novel Herland presents a society composed entirely of women who reproduce through asexual reproduction. The story was actually published as a serial and did not make it to novel format until 1979. It is an early example of feminist science fiction.

Many more science fiction books were published during this decade so here are links to a few more:

1914 - The World Set Free by H G Wells
1915 - The Star Rover by Jack London
1918 - The Moon Pool by Abraham Merritt.
1920 - A Voyage to Arcturus by David Lindsay.

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Eoghann Irving is amongst other things the creator and Editor of Solar Flare. He has a life long interest in all forms of science fiction and fantasy and a pressing need to share this interest with anyone who will listen. Find out more at his personal website

Series Navigation«The History of Science Fiction: 1900 - 1909The History of Science Fiction: Hugo Gernsback»
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2 Comments, Comment or Ping

  1. “In 1915 (after the start of World War One) Guy Thorne predicted armored tanks a couple of years before they first appeared in his novel The Cruiser on Wheels.”: H G Wells’ “The Land Ironclads” (1903) is an earlier story about tanks.

  2. larry steckler

    In the late 1950’s I was hired by Hugo as Assistant Editor for Radio-Electronics magazine. I later became publisher and owner until we shut down operations in 2003. Hugo was indeed an eccentric — but certainly a genius.

    I still have copies of his Forecast christmas magazines on CD-ROM for anyone who wants to obtain one.

    I’ve recently published a new 900-page biography about the life and times of Hugo Gernsback. It is available on Amazon. Just follow this link:

    The manuscript was found while I was in the process of closing down Gernsback Publications Inc. in 2003. It was apparently written some time in the 1950’s. It covers all the areas that Hugo found interesting: wireless communications, science fiction, publishing, patents, foretelling the future, and much more.

    Want more info? Contact me at

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